Self Publishing

Meet My New Friend BOB

http://www.fortyacrespress.com/mb_intro_1.htm

UT Austin’s in-house press, known as Forty Acres Press, has the ideal resource for your small, self-publishing needs.  It’s called the Burnt Orange Book Machine (BOB).  BOB makes paperback books from PDF files.  You can even make a pretty, four color cover.  But the pages can only be in black and white; so all you picture book authors and illustrators won’t find BOB very useful.  Also, if you’re thinking of a printing a large run, then this isn’t the machine for you.  But, according to the very helpful Forty Acres staffer I met with, it’s perfect for smaller jobs of up to a hundred or so copies.  So, if you’re looking to generate some ARCs, or just want to do a ‘vanity’ printing of your latest work, it might be worth your time to look into using BOB.  The website has an easy to understand introduction to how the machine works along with pricing schedules.  And, like I said, the staff is friendly and helpful.  They even gave this Yellow Bird member a BOB manual for free.

Want to be a good editor? Be a stupid reader.

For as long as I can remember, I’ve done all the things my fourth grade teacher told me not to do. I skim. I skip over boring parts. I speed up, rather than slow down, when I’m confused. And when I see a word I don’t understand, I most definitely don’t stop to look it up in the dictionary. In short, I’m a fourth-grade failure.

So how did I wind up here, editing novels and memoirs for a living? The truth is quite simple. Over the years, I’ve learned that my bad reading behaviors are actually some of the same attributes that make me a good editor.

Below are three rules of thumb for editing fiction—whether your own, or a friend’s. You might just be surprised.

1. Be impatient

If you read a manuscript too slowly, you can actually fool yourself into thinking it’s good. The real test is whether it will hold up in the face of a quick-read, which is how potential literary agents and editors (and their assistants and interns) will approach it, given the sheer volume of material they consider every day.

So when you read a manuscript for the first time, don’t stop to analyze every sentence. Don’t pause to parse each densely packed paragraph. Don’t pore over the imagery, waiting for hidden symbolism to manifest itself. Instead, read hungrily, like you’re devouring a slice of chocolate cake. The inedible pieces will quickly become apparent.

2. Be unforgiving

Inevitably, you will stumble upon something in the manuscript that doesn’t make sense. Let’s call this a “huh?” moment. In the face of a “huh?” moment, you might be tempted to re-read the confusing passage multiple times until you experience an “ah-ha!” moment. Once you have that “ah-ha!” moment, you might think, “OK, it makes sense after all. I was just being stupid.”

But, no! You weren’t. It was the manuscript that was confusing. And if you were confused, chances are someone else will be, too. In order to be a good editor, you must be unforgiving. You must not tolerate even a single ounce of confusion.

3. Be stupid

Authors are tricky people. I know because I am one. We sometimes try to sneak in clever metaphors, literary allusions, witty analogies, and other little nuggets that don’t quite fit with the story but are simply too brilliant not to use.

When you take off your writer’s hat and put on your editor’s hat, you can go ahead and forget about all that so-called brilliance. Instead, be as stupid as you can allow yourself to be. Do you still follow the metaphor? Still get the joke? Then it can stay.

Who Are We?

We are a team of authors, editors, and writing coaches based in Austin, Texas. With over thirty years of combined freelance experience, we formed Yellow Bird to pool our expertise and offer a range of professional editorial services for writers of fiction, nonfiction, and children’s books.

When you hire a Yellow Bird editor or writing coach, you get all the convenience, attention, and flexibility of working directly with a freelancer—plus peace of mind. All our editors and coaches are vetted professionals who will treat you and your work with the respect you deserve.

As published authors, industry professionals, and former employees at major publishing houses, we have our fingers on the pulse of today’s market and what sells. From memoirs to sci-fi novels, from picture books to biographies, we can help you polish your manuscript and guide you along the path to publication.

Perhaps most importantly, we are writers ourselves. We understand the nail-biting, hair-pulling frustration. We know what it’s like to face rejection and keep striving against the odds. We have felt first-hand the power of kind encouragement and unexpected praise. Books are big, messy, complicated creatures, and they require a lot of TLC. At the end of the day, we are more than editors. We are teachers, mentors, motivators, and lovers of words.